Andrew has a keen interest in all aspects of poetry and writes extensively on the subject. His poems are published online and in print.
William Carlos Williams and 'Pastoral'
'Pastoral' is a short lyric poem, a paradoxical snapshot of life on a local American street. It is a typical William Carlos Williams creation, a narrow field of short lines, the equivalent of a sketch or a quick painting, skillfully composed.
- Yet, astute observation of specific things—sparrows, old man, dog dung, religious minister, pulpit—combines with imaginative feeling to produce a more complex poem than appears at first sight. Things certainly do inspire ideas.
First published in the radical magazine Others in 1915, the poem was included in Williams's book Al Que Quiere in 1917, one of three poems with the title 'Pastoral'.
The poem is acknowledged as a key work, among others, because it reflects the poet's rejection of the pre-modern poems full of rhyme and traditional metrics. Willams himself had started as a rhyming poet but soon felt that this was a restriction on his imagination, so he gave it up for free-verse.
- Together with other modernists, he pioneered new poetics and left behind formal structures. He began to focus on his local environment for inspiration and was soon writing his spontaneous poems, often written down on 'any piece of paper I can grab' and typed up.
This 'direct treatment of the thing' was experimental and involved loose but subtly measured structures of short lines and casual language—a truly fresh challenge for the reader at the turn of the twentieth century.
The definition of a pastoral poem has evolved over the centuries. Originally, the ancient Greeks used a term we now know as bucolic, relating to herders. Then the Roman poet Virgil wrote his Eclogues, which became known as pastoral poems, relating to shepherds and a romanticised idea of country life.
Eventually, Elizabethan English poetry became the home of pastoral verse, where idealised countryside or a rural lifestyle and landscape were the focus for, typically, a hopeful romantic relationship.
Basically, the pastoral poem concentrates on ordinary folk and their role in nature as seen from an outsider's (idealised) point of view.
- Williams's 'Pastoral' retains its quirky charisma, capturing a street scene that might have lasted a minute and tacking on the speaker's memory of how a minister approaches the pulpit.
His poem juxtaposes the behaviour of sparrows against that of the human, then the human against a second human. Tensions are created. The sparrows are instinctive, while the first human's actions are questionable.
And there is further room for debate because the old man, collecting dog dirt, seems more majestic than the minister, walking to his Sunday pulpit. There has to be a message in there somewhere?
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Analysis of 'Pastoral'
'Pastoral' is a free-verse poem of 25 short lines in a single narrow stanza. There is no set rhyme scheme or metrical arrangement, so the poem is basically four sentences chopped up.
- There is minimal punctuation which means that enjambment is common—only four lines are not enjambed. Therefore, the reader is challenged to read each short line with as much 'flow' as possible.
Naturally, the frequent line breaks mean that there has to be some pause at the end of each line, but after several read-throughs, this becomes less of a clunky exercise.
Williams crafts his poem so that the stresses at the end of each line vary; they fall, they rise. There are also extremely short lines of two or three syllables—'Quarreling'...'These things'...'Or evil'—and longer ones of six and ten syllables—'Hop ingeniously'...'That of the Episcopal minister'—which bring interest and challenge for the reader.
The indentation between the thirteenth and fourteenth lines is a break in the speaker's 'thoughts'. After close observation of the sparrows on the pavement and a comparison with human behaviour, the poem's second part seems to be a rethink. Humans might be wiser than the quarrelsome sparrows...but, hang on, what about that old man and the minister?
Further Analysis of 'Pastoral'
'Pastoral' begins with a simple observation of the most common urban bird, the sparrow, a ubiquitous domestic bird that has a sharp call and tends to be noisy and sometimes aggressive.
This is nature almost tamed, suitable material for a pastoral poem. Williams must have witnessed this scene numerous times on his way to work as a doctor, and he juxtaposes the instinctive behaviour of the birds with the more reasoned behaviour of humans generally.
We are wiser...according to the speaker who attempts to introduce a moral aspect to the poem by suggesting that humans don't readily express or know how to express themselves, unlike the sparrows who just get on with their relatively uncomplicated, physical lives.
There is a sense of tension set up by these short lines, with their cadences and changes of emphasis. Small birds quarrelling, humans reasoning, somewhat confused or unable to morally define the actions of the sparrows?
The second part of the poem is a slightly tongue in cheek exposé of mainstream American religion, an old man picking up dog poop being seen as more majestic than a minister about to give a sermon.
Whether or not this is Williams having a go at the church is up to the reader; suffice to say that the speaker's astonishment is enough.
'Beyond words' are the last two words in the poem, which must surely relate to the title 'Past-oral', as some commentators have noted, typical of William Carlos Williams who loved to pun and play with words.
So, solidly rooted in Williams's local Rutherford environment, this poem, whilst not outstanding for its music or phonetic texture, grows in stature the more it is read. Why? It is an instant in time, shallow yet deep.
'Pastoral' ('The Little Sparrows') Audio Poem
This content is accurate and true to the best of the author’s knowledge and is not meant to substitute for formal and individualized advice from a qualified professional.
© 2018 Andrew Spacey
Andrew Spacey (author) from Sheffield, UK on September 06, 2018:
Appreciate the visit. WCWilliams helped bring poetry into modern times.Pastoral, a small piece of that historic process.
Liz Westwood from UK on September 05, 2018:
I hadn't come across this before. This is a great analysis.