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John Donne's "Goe, and Catche a Falling Starre" as a Metaphysical Poem

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"Go and Catch..."

"Go and Catch..."

Donne's Song: Central Theme

The poem “Goe, and catche a falling starre” [sic] is a song, peculiar to Donne, and different from typical Elizabethan lyrical poems. It mentions women but is not a poem about womanly love or love for women. In fact, the song is distinctly different from Donne’s typical love poems.

The song is actually about feminine inconstancy. It's about the lack of fidelity of women. The poet’s point of contention is that no woman, who is both true and fair, can be traced anywhere. This is well struck in the last two lines of the second stanza:

“No where

Lives a woman, true and faire.”

However, this is not all. The poet even claims that constancy in women is not only rare but also short-lasting. Even if a woman be found fair and true, she will change and prove false in no time –

“Yet shee

Will bee

False, ere I come, to two or three.”

"Goe and Catche a Falling Starre"

The original poem as penned by John Donne

The original poem as penned by John Donne

Tone of the Poem: Key to Metaphysical Elements

This is, however, no characteristic attitude from Donne. His tone here is playful, rather witty, although it may smack of some sarcasm. In fact, the song represents the metaphysical way to mingle the serious with the light. The subject matter is, no doubt, grave – the inconstancy of women. No fair woman can be fair in attachment and devotion. This forms, too, the very serious charge from Hamlet in Shakespeare's great play, after the same name.

“Frailty, thy name is woman.”

But Shakespeare's Hamlet has a serious tone, while Donne’s all light and witty. His wit flashes here and there, as he goes to emphasize feminine frailty. The concepts of getting a child from the root of a mandrake, the Devil’s cleft foot, and the visualization of invisible materials are all witty enough.

Furthermore, the poet’s mention of a pilgrimage to see a fair and faithful woman has a slightly sarcastic touch. Even his conclusion that she will be false, ere the poet come, to two or three, has a satiric stroke. But in all these cases, the poet bears out a lively mood, fun, and mockery to make his song diverting, rather than coldly didactic.

All this marks the intellectualism of metaphysical poetry. The metaphysical style is more intellectual and less emotional, and that is well borne out in Donne’s song. Metaphysical intellectualism turns poetic impulsiveness into prosaic logicality. By means of arguments and analogies, no doubt framed wittily enough, he reaches his central assertion that fair and faithful women are real. Indeed, a chain of diverting points of logic sums up the central theme and arrives at the concluding observation in the typical metaphysical manner.

Precision and Wit: Characteristics of Metaphysical Conceits

The metaphysical poetic style exhibits precision. It does not indulge in elaboration but rather concentrates on conciseness. The rarity of a woman, faithful and fair, or her quickly changing fidelity is precisely but distinctly stated. Therein is found the innate quality of Donne’s song as a piece of metaphysical artistry.

Again, the metaphysical imagery, drawn quite precisely, from a wide field of mythology, Christianity, and legends, is more prosaic and commonplace than emotional and elegant. Donne’s song has some rare but very precise images, such as ‘mandrake’s roote’, the Devil’s cleft foot, the mermaid’s music, and so on. The metaphorical analogy of ‘snow white haires’ is well-conceived. Of course, such images are very few in number.

The seven impossible tasks (five of which are extremely hilarious jokes), mentioned in the first stanza, for instance, are a distant echo of the Herculean tasks in Classical mythology.

The song also represents the metaphysical mood that combines, as noted already, the serious and the light. It reveals definitely a skeptical and cynical frame of mind that taunts and debunks the nature of a fair woman. The poet mocks the inconstancy and fickle-mindedness of such a woman. But his mood is lightened with a jesting, fun-making approach that both laughs and lashes. Although his poetry is often considered sexist, but there is no reason to doubt his tone of levity and lightheartedness. One should keep reminding oneself that it is the same poet who wrote "The Goodmorrow" and "The Canonization", where he treated his beloved with sincere devotion and appreciation.

Verse Technique

The song is written in a regular stanza pattern. There are three stanzas, of nine lines each. The rhyme scheme is exactly like a melodious song, with the first four lines, rhyming alternately, while the fifth line and the sixth and the last three lines separately rhyme together.

The trochaic emphasis on the very first word "Goe" creates a sense of immediacy. It is a characteristic feature of Donne's poem that he right away goes on to establish a sort of intimate rapport with the readers. The tone instantly becomes conversational and personal. This was a pattern Donne maintained to deliberately break away from the distanced poetic voice technique of his predecessors.

John Donne (1572-1631) was an English poet and cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets

John Donne (1572-1631) was an English poet and cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets

"Go and Catch": The Modern English Version

Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the devil's foot,
Teach me to hear mermaids singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.

If thou be'st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou return'st, wilt tell me,
All strange wonders that befell thee,
And swear,
No where
Lives a woman true, and fair.

If thou find'st one, let me know,
Such a pilgrimage were sweet;
Yet do not, I would not go,
Though at next door we might meet;
Though she were true, when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two, or three.

Vote Your Choice

A crisp recitation of the poem by Richard Burton

Questions & Answers

Question: What is the meaning of metaphysical poems?

Answer: Metaphysical intellectualism turns poetic impulsiveness into prosaic logicality by means of arguments and analogies. The metaphysical style is more intellectual, less emotional.

Question: What is a "metaphorical analogy?"

Answer: A metaphor is a figure of speech where two things are implicitly compared. Analogy means this comparison. A parallelism sorts.

Question: What's the meaning of valediction poems?

Answer: Valediction literally means the act of bidding farewell. Poems with such a theme are usually called valediction poems.

© 2017 Monami


Renu on March 16, 2020:

The above information were helpful for me. Thank you..! on January 14, 2019:

Nice article:

To read more about John Donne go to:

Abdul on October 01, 2018:

Go and catch the falling star summary