Guernica: Picasso's Most Famous Painting
Picasso, one of the world’s greatest artists of all time, has painted and sculpted many very moving paintings. Numerous of his works deal with anti-war themes due to his love for Spain and his hatred for the Civil War that began there. Although he moved to France and lived most of his adult life there, he felt a strong connection to the political downfall of Spain as a result of the dictatorship of Francisco Franco. In response to this, he did many anti-war paintings. His most famous painting was one of those named the Guernica. The Guernica is rich with history, artistry, and emotion; therefore, will be a powerful anti-war statement for years to come.
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Pablo Picasso did not plan to be a political artist. In 1937, the World’s Fair was going to take place in the Spanish Pavilion, to showcase the great advancements in technology that had taken place over the past decade. The government wanted the people to feel positive about their futures. To contradict the uplifting message of great technology, the Republican Government of Spain wanted the true current state of Europe to be told. They hired Picasso to paint a mural for their building that would be presented at the 1937 World’s Fair. Their hope was that it would become the centerpiece and cause people to realize that despite the great advancements in technology, Spain was in desperate need for a revolution.
When he was asked to paint for this event, he was hesitant because he hadn’t yet painted any political paintings. He worked on a project without passion for two months. On May 1, 1937, he found his inspiration, after hearing the devastating news of what had happened to his home country just a few days earlier. He scrapped the old project and frantically began a new one: the Guernica.
Photo of Guernica after the Bombing
History of Guernica, a Basque Village in Northern Spain
On Monday, April 27, 1937, Guernica, a Basque village in northern Spain, was destroyed beyond recognition after Hitler sent men to test out a new Nazi military tactic, known as blanket-bombing. Hitler wanted to completely demoralize the people, which is why he chose to bomb Guernica on a Monday. Not only is Guernica the cultural capital of the Basque people, but many of them also gathered there each Monday for a festival. The German regime sent twenty-five of Germany’s best-equipped bombers, along with twenty Fiat Fighters and they bombed the city for over three hours.
If the constant bombing was not enough, many of the planes flew low so that they could shoot people who were hiding in the open fields around the city with machine guns. This went on for fifteen minutes after the bombs had already gone off. The damage continued to grow, as many of the buildings, farmhouses, and fields burned for days afterward. Not only were buildings and monuments completely decimated, but also 1600 civilians were killed or wounded.
Although the bombing was authorized by Hitler, the German interest in the bombing came from the support they wanted to show to Francisco Franco. Franco promised the people prosperity and stability, but his true desire was to overthrow the Basque and Spanish government. This was a plan that Picasso strongly detested.
Woman Grieving over Dead Child
Picasso's Political Reaction
Picasso’s vehemence grew stronger towards Franco and the violence against his home country. He decided to use that hatred and transferred it onto canvas, in order to capture the cruelty of humanity as a result of World War I and the Spanish Civil War. The painting needed to be presented in such a way that it could later be printed in the newspaper so that his message would reach further than just the World’s Fair. It was important to him, that others understood the atrocities that Franco had caused as a result of his dictatorship.
Although his intent from the time he painted it, was for it to be owned by the Spanish people, he made it clear that it should never return to Spain until his home country could enjoy “public liberties and democratic institutions.” For many years it found a temporary home at the Museum of Modern Art in New York, often traveling to places such as Munich, Cologne, Stockhold, and even Sao Palo in Brazil. Picasso never got to see peace in his home country, and therefore, he never returned, nor did his painting return in Picasso’s lifetime. He eventually died in Paris in 1973, two years before Francisco Franco died.
Man Reaching to Heavens for Help
Protecting the Painting
Although the new leader, King Juan Carlos I immediately made Spain a democracy, many protected the painting from going back to Spain, until they were sure that peace was found there. Therefore, it did not return until 1981, eight years after Picasso’s death. They kept it secure and hidden until it was finally presented under high security on Picasso’s 100th birthday: 25 October 1981. It is not expected to ever go on tour again in order to keep it well-preserved and protected., because while it was on tour during the years prior, there were many damages made to the original. Picasso would be happy to know that the Guernica is currently in the Museo Reina Sofia in Madrid.
Despite having a clear purpose, he did not compromise his artistry in order to make his message. Few artists are capable of bridging the gap between art and politics, yet Picasso does this beautifully. Not only is the piece rich with history and political meaning, but it is also rich with technique and aesthetic appeal. Using a cubist style, he painted his piece using blue, black, and white oil paints on a 3.5 meter tall by 7.8 meter wide canvases (11 feet by 25.6 feet). This is slightly higher than the rim height of a professional basketball hoop and half the width of an NBA basketball court. If the political statement doesn’t speak to you, the mere size will.
Facts about One of Pablo Picasso's Most Famous Paintings
Symbolism in the Mural
Each image portrayed in the final product was a labor of love and painstakingly chosen. He drew many sketches that changed over a three-month-long period before transferring them onto the final canvas. Many of these early drafts have been preserved and can be found in circulation. The few artists’ rough drafts have been so well-preserved.
He knew he did not want to paint it with realism, but rather choosing objects that would have meant something to the Spanish people. He also wanted the painting to be slightly disjointed, just as war disrupts the unity of the people it encounters. Yet he paints it in such a way that links each object to one another, reflecting how each item affects the objects around it. Although war is disruptive and disjointed, nothing in its path is left untouched.
There are many different interpretations of what each item means. It is clear that the rampaging bull and the horse played a significant role in his painting, because of their tie to the Spanish culture. Many believe that the bull represents the great destruction that war brings, while others believe it is to symbolize fascism. Then there are those who have a completely different idea of the bull, seeing it as representing the people’s heritage. The horse is almost always interpreted to be a stark contrast to the bull.
Many believe the horse represents the innocence of the people, while others view it as the destruction of not only the people but their heritage as well. Then there are those who see the maniacal expression of the horse and believe it represents war Francisco Franco, and even fascism. When Picasso originally presented the Guernica, he did not explain what the bull or the horse was to symbolize. He felt that each person should take their own meaning to each item. By having the artist say what he felt they meant, disallows the viewer to create their own impression of the painting.
Along with the two animals, he painted many people in various stages of grief, pain, and suffering. There is a woman crying, holding a dead infant, a man reaching up to the heavens for help, a soldier with a broken knife dead on the floor, and many ghostly images of faces. While viewing each figure, your eyes naturally scan the entire surface. Each image points to the next until you have come full circle on the painting, seeing each desperate image.
Man Stabbing Another
Emotion behind the Painting
Many people often point out that the painting is not a comfortable image to view due to its sharp rigid geometric shapes and agonizing human figures. Picasso’s intent was not to paint an image of beauty and pleasure but to paint something that left the viewer with a strong emotional reaction. His greatest intent was to portray the tragedies of war, the confines of fascism, and the suffering inflicted on the people. He did not want it only to be viewed by those at the World’s Fair, but he wanted the world to see and feel the emotion that engulfed him when he first heard the news of the bombing of Guernica.
He was pleased to have the painting tour all over Europe, spreading awareness. Unfortunately, as Hitler gained ground within Europe, Picasso made the decision to send it to the United States, where it could remain protected until Spain became a peaceful nation once again. Even today, the Guernica still spreads its message of peace by forcing viewers to see the emotional destruction that war causes: sadness, chaos, death, and evil. It challenges the notions that war is full of heroism and attempts to expose war as a brutal act of self-destruction. Even those who disagree with the paintings sentiments will be left with strong emotional reactions when viewing this magnificent painting.
The Guernica was and is a very powerful painting that is well-known across the world. Few paintings will ever compare. It not only appeals to the eye but also expresses such a profound statement against the atrocities that war brings, especially when that war is causing brothers to fight against brothers. Fortunately, the painting still remains well preserved in the Museo Reina Sofia in Madrid and hopefully will be there to share its story for generations to come.
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© 2016 Angela Michelle Schultz