"Home is the sailor from the sea": Robert Louis Stevenson or A. E. Housman?

Updated on July 22, 2019
Maya Shedd Temple profile image

Poetry became my passion, after I fell in love with Walter de la Mare's "Silver" in Mrs. Edna Pickett's sophomore English class, circa 1962.

Tombstone of Robert Louis Stevenson

Last two lines:  "Home is the sailor, home from the sea, / And the hunter home from the hill."
Last two lines: "Home is the sailor, home from the sea, / And the hunter home from the hill." | Source

A Line, Not a Title

"Home is the sailor from the sea" is not a title; therefore, it must retain the capitalization that appears in the line used in the poem.

Literary Quirks

At times, the world at large is hit with a conundrum about who wrote what. Among other literary problems, hoaxes, and outright lies, there remains a little category that can only be labeled, quirks. Because of the rich interplay by poets, novelists, and other creative writers, who often engage the words of others for various reasons, at times the line between legitimate use and plagiarism seems to be crossed. But plagiarism is deliberate engagement of fraud; the plagiarist wants readers to believe she is author of the stolen property.

Legitimate use of another works include allusion, echoing, and use of several words in a string for the purpose of emphasis; the legitimate user of the words believes that his readers will know the source being referenced; he is not trying to deceive or steal the words of another as the plagiarist does. Normally, the context surrounding the use of others' words will make clear whether the use is legitimate or whether it is plagiarism.

Confusion has arisen over the lines, "Home is the sailor, home from the sea / And the hunter home from the hill," and "Home is the sailor from the sea / The hunter from the hill." Some readers have asked how these lines could come from two different sources; others have surmised that Stevenson is quoting Housman. But might it not be the other way around? Do the lines belong to Robert Louis Stevenson or A. E. Housman? Let us investigate.

Robert Louis Stevenson

Source

Robert Louis Stevenson's "Requiem"

Robert Louis Stevenson is the older poet, born in 1850, died in1894. A. E. Housman was born in 1859 and died in 1936. After Robert Louis Stevenson died in 1894, his short poem, "Requiem," was inscribed on his tombstone:

Requiem

Under the wide and starry sky
Dig the grave and let me lie:
Glad did I live and gladly die,
And I laid me down with a will.
This be the verse you 'grave for me:
Here he lies where he long'd to be;
Home is the sailor, home from the sea,
And the hunter home from the hill.

A. E. Houseman

Source

A. E. Housman's "XXII - R. L. S."

The following A. E. Housman poem, "XXII - R. L. S.," is a tribute to Robert Louis Stevenson, focusing on the final two lines from Stevenson's "Requiem":

XXII - R. L. S.

Home is the sailor, home from sea:
Her far-borne canvas furled
The ship pours shining on the quay
The plunder of the world.
Home is the hunter from the hill:
Fast in the boundless snare
All flesh lies taken at his will
And every fowl of air.
'Tis evening on the moorland free,
The starlit wave is still:
"Home is the sailor from the sea,
The hunter from the hill."

Housman's tribute appears in The Collected Poems of A. E. Housman. In a letter to Grant Richards, a friend of Housman, dated January 15, 1929, Housman mentions his tribute poem: "The poem on R.L.S. appeared at his death in the Academy in 1894."

Problem Solved

The issue has been resolved: Housman alluded to Stevenson's lines in a tribute to the older poet, who had died. When poets compose tributes to other poets who have preceded them in the poetic arts endeavor, those tribute writers often employ the words of the honored person; they are confident that those who care enough to read such a tribute know whose words belong to whom. Thus, the reason for using the honored poet's words is for special emphasis to inform the affection charged in the tribute, not for plagiarism.

Note that Housman tweaked the wording a bit, but nevertheless made it possible for his readers to make the connection with Stevenson's earlier poem. Thus this literary issue is a quirk—no plagiarism, no hoax—and because of the facts presented, the relationship between the authors and their words can now be understood.

Sources

  • Robert Louis Stevenson, "Requiem," bartley.com
  • AE Housman, "XXII - RLS," The Collected Poems of A. E. Housman
  • The Letters of A. E. Housman, edited by Archie Burnett
  • Find a Grave: Robert Louis Stevenson

Musical rendition of "Requiem"

© 2016 Linda Sue Grimes

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