Paramahansa Yogananda's poems serve to deepen yoga meditation, offering devotees new ways of grasping the spiritual nature of all creation.
Introduction and Excerpt from “What Is Love?”
The term "love" is all-encompassing, much broader than simply a feeling or an emotion. Love is a spiritual, substantive presence; it is the basic foundation on which all other human endeavors must build, if they are to result in success. The speaker is thus dramatizing forceful and colorfully a definition of “love," while putting on display its vital significance for following and advancing on the spiritual path.
Excerpt from “What Is Love?”
Love is the scent with the lotus born.
It is the silent choirs of petals
Singing the winter’s harmony of uniform beauty.
Love is the song of the soul, singing to God.
It is the balanced rhythmic dance of plants—sun and moon lit
In at the skyey hall festooned with fleecy clouds—
Around the sovereign Silent Will.
It is the thirst of the rose to drink the sun rays
And blush red with life . . . .
(Please note: The poem in its entirety may be found in Paramahansa Yogananda's Songs of the Soul, published by Self-Realization Fellowship, Los Angeles, CA, 1983 and 2014 printings.)
The definition offered in this poem demonstrates the all-encompassing nature of love. Love is far more than a mere emotion, and this dramatization of its qualities makes clear its importance for a life lived, following the spiritual path.
First Movement: Harmony and Beauty
The speaker is asserting that love may be likened to a healthy flower whose scent is pleasant and alluring. Love may also be compared to the many colorful and beautifully shaped "petals" that unfold after the "harmony" of a winter's song has composed the "choirs" of beauty. The speaker asserts, "Love is the song of the soul, singing to God." This assertion elucidates the subject matter revealed in the title of this collection of poems, Songs of the Soul. The speaker is strongly suggesting that music comes from God and that the music of the human heart is for God, especially as the human singer aims his attention toward the Divine Belovèd Creator.
Beautiful, spiritual songs of the Divine possess a heavenly rhythm that plays out in the "dance of planets." The sun and the moon remain sterling and brilliant by the "Silent Will," which decorates the sky with "fleecy clouds." Love is like a rose, thirsty as it drinks in "the sun rays" and then glows with a red blush pregnant "with life" shining forth from its metaphorical cheek. Love can also be comprehended as "the mother earth" nourishing her young; with her milk (rain) that she employs to feed and moisten "the tender, thirsty roots." That same earth mother also "nurses all life." Love especially parallels the sun whose "urge" is directed to sustaining life in "all things."
Second Movement: Parental Love
Unheard as well as unseen, the sustaining love of Divine Mother changes into the "protecting father-form.” The Graceful Mother is capable of "feed[ing]" all "mouths / With milk of mother's tenderness.” Those young mouths play a motivating role in compelling all human mothers and fathers to act as emissaries from the Divine Mother and Heavenly Father in nourishing and nurturing them.
The importance of parental love cannot be overstated. As the innocent babe requires much attention and care, he is eliciting from his parents the depth of their heart’s core. For the infant to grow and to flourish, that love must flow unceasingly. That love is called “unconditional” because the parent is urged by deep motivations to give without thought of anything in return or how the youngster eventually turns out. Good or naughty, he will always have the love of his parents.
Third Movement: Beyond Narrow Walls
The speaker claims that the broad concept of love includes the wellbeing of the whole "family rose of petal-beings." The individual who is capable of offering love will then be able to function beyond the narrow walls and halls of his original human family, and he will be able to go on to a wider social network of "national" and "international sympathy," and even beyond those earthbound classifications.
Love will move the individual on "to the limitless Cosmic Home," and that home is the place for which all human beings entertain cravings. After the individual human heart is able to enclose all other beings in his own family to the wider family of the cosmos, the individual will be able to achieve the ultimate goal of truly grasping, "what love is," and thus remain capable of living all stations included in such knowledge.
Fourth Movement: Love’s Evolution
The speaker dramatizes love as "evolution's ameliorative call." Evolution, as a scientific concept, is widely misunderstood; it is the process of improvement, not simply the adaptation of physical characteristics. The opposite of “evolution” is “devolution,” which the mind and heart of each human being strives to eschew.
Improvement means progressing toward the goal of “self-realization,” or God-union. Love, as a human emotion rightly employed, can assist and guide the mistake-ridden being to the correct path that leads to that self-awareness. The "far-strayed sons" can then "return to perfection's home" through the unerring guidance of love.
The "beauty-robed ones" following the path of divine love "worship the great Beauty," that is, the Blessèd Divine Creator. The speaker avers clearly that, "love" is the "call of God"—and that merciful, alluring call arrives through "silent intelligences" and "starbursts of feelings.” The aspiring devotee is unmistakably guided through silent guideposts as well as by enhanced emotional events that burst forth in tranquil surrender.
Fifth Movement: Perfection’s Pathway
In the final movement, the speaker is voicing a marvelous statement: the entire creation, including each human being, is in the process of moving toward that “Heaven" to which “Love” is calling. The speaker, with this claim, is alluding to a definition of humanity once voiced by Sri Yukteswar. Paramahansa Yogananda’s great guru explained that only two classes of people inhabit the earth plane. One class is seeking God, and the other is not. Sri Yukteswar averred that that distinction resulted in duality of wisdom vs ignorance.
The individuals who are "rushing by the straight path of action right" make up the first class—the wise who are seeking God, and those "wondering laboriously on error's path" are included in the second class—the ignorant who are not seeking God. But the ultimate beauty, as well as salvation, for the two classes is that, "All [will] reach" that "Heaven" eventually. It will simply take more time to reach that coveted goal for those who remain ignorant.
© 2020 Linda Sue Grimes
Linda Sue Grimes (author) from U.S.A. on March 16, 2020:
Thank you, Umesh! Glad you appreciate studies in spirituality, my very favorite writing topic and endeavor. The world of Maya can be quite daunting with one catastrophe after another. But through it all, we can overcome all trials and tribulations realizing that we are sustained by the Highest Power of All, the Divine Beloved, or God. Not only is God with us, God is in us, around us, guiding, guarding, protecting, and pointing the way through his Many Beacons of Light that uphold the entire Cosmos of Creation!
Blessings, Umesh. Have a great day!
Linda Sue Grimes (author) from U.S.A. on March 16, 2020:
Thank you for your comment, Lorna! That's wonderful that you practice Hatha Yoga. Physical culture is quite important for the spiritual path. One's ability to sit long in meditation depends on the ability to quieten the physical encasement, and the healthier the body the quieter its functions.
Paramahansa Yogananda's writings all lead to good all around health of body, mind, and soul. They inspire and uplift the mind, calm the breath and allow the soul to become the master of the physical and mental encasements.
Blessings to you, Lorna, and all best on your Hatha path.
Umesh Chandra Bhatt from Kharghar, Navi Mumbai, India on March 14, 2020:
Well explained. Spiritual pursuit.
Lorna Lamon on March 14, 2020:
I practice Hatha Yoga and was intrigued by this article. The poetry is simply beautiful and thank you for the commentary on the different movements. An excellent and enjoyable read Linda.