The Ern Malley Literary Hoax
A Brief History of the Hoax
The Ern Malley affair is one the most important and most fascinating literary hoaxes of the 20th century. It grew out of a hatred of and the desire to debunk the avant-garde style of modernism.
In October 1943 on a Saturday, two traditional poets, Lieutenant James McAuley and Corporal Harold Stewart, in their offices at the Victoria Barracks of the Australian Army in Melbourne, Australia, hatched a plan to expose the bankruptcy of the modernist avant-garde trend of literature in British, Australian, and world poetry.
They chose the publication titled Angry Penguins and one of the editors, Max Harris, as their targets. As the legend would have it, within a few hours on that ordinary Saturday, the two young army men slapped together sixteen poems by collecting strings of words from the books and magazines that lay on their desks; the following example begins with the first three lines lifted verbatim from a US Army report on mosquito control:
Culture as Exhibit
“Swamps, marshes, borrow-pits and other
Areas of stagnant water serve
As breeding-grounds ...” Now
Have I found you, my Anopheles!
(There is a meaning for the circumspect)
Come, we will dance sedate quadrilles,
A pallid polka or a yelping shimmy
Over these sunken sodden breeding-grounds!
We will be wraiths and wreaths of tissue-paper
To clog the Town Council in their plans.
Culture forsooth! Albert, get my gun.
After completing those sixteen fake pieces, McAuley and Stewart then delivered a fictitious poet from the womb of mischief and named him "Ern Malley," a take-off on the French word "mal" meaning "bad."
Sister Ethel Submits Ern's Poems to Angry Penguins
Next, McAuley and Stewart invented a sister and called her Ethel, dreamed up a melancholy biography for the deceased auto mechanic turned insurance salesman poet, which Ethel would narrate, and they were all set. From the hands of Ethel, they posted ole Ern's poems and biography to the magazine Angry Penguins. Max Harris flipped over the poems, as did the other editors, and a special edition of Angry Penguins carried the fake poems and the fake biography of a fake poet.
The two disgruntled poets, Lieutenant James McAuley and Corporal Harold Stewart, had accomplished their mission of showing the world that those who are taken in by the avant-garde, surrealistic drivel flowing from the pens of literary poetasters under the guise of modernism could be easily exposed by a real fake.
The Nonsense of Modernist Poetry
As poets, Lieutenant James McAuley and Corporal Harold Stewart had come to despise the poetry of Dylan Thomas, Henry Treece, and other modernist poets. McAuley and Stewart, therefore, deemed the entire modernist movement "pretentious nonsense.” The pair then hatched a plan to expose the nonsense. They believed that could fool editors into publishing anythings that smacked of the same "nonsense" they had been observing in literary mags. They would write poems and submit them. They concocted three rules that the poets would follow as they composed their deliberately fake works:
1. There must be no coherent theme, at most, only confused and inconsistent hints at a meaning held out as a bait to the reader.
2. No care was taken with verse technique, except occasionally to accentuate its general sloppiness by deliberate crudities.
3. In style, the poems were to imitate, not Mr. Harris in particular, but the whole literary fashion as we knew it from the works of Dylan Thomas, Henry Treece and others.
Based on these rules, the poems of Ern Malley were born.
Poor Max Harris, who was not a bad poet, and whose early poems were, in fact, quite traditional in form, faced a court trial for publishing the Ern Malley poems, which were considered obscene. Harris paid a fine, and his jail time was suspended.
Still Harris' reputation was less sullied than that of the Malley creators. Actually, McAuley and Stewart simply suffered from anonymity, with their only claim to fame being the Ern Malley affair.
Sample Pieces from the Collection
A fascinating and useful study might result from elucidating how each piece in the hoax collection demonstrates the three “rules” that the poet was constrained to follow in composing the fake works.
The following “sonnets” offer a glimpse at the style and subject that the Ern Malley collection of hoax poems perpetrated upon the literary world:
Sonnets for the Novachord
Rise from the wrist, o kestrel
Mind, to a clear expanse.
Perform your high dance
On the clouds of ancestral
Duty. Hawk at the wraith
Of remembered emotions.
Vindicate our high notions
Of a new and pitiless faith.
It is not without risk!
In a lofty attempt
The fool makes a brisk
Tumble. Rightly contempt
Rewards the cloud-foot unwary
Who falls to the prairie.
Poetry: the loaves and fishes,
Or no less miracle;
For in this deft pentacle
We imprison our wishes.
Though stilled to alabaster
This Ichthys shall swim
From the mind’s disaster
On the volatile hymn.
If this be the norm
Of our serious frolic
There’s no remorse:
Our magical force
Cleaves the ignorant storm
On the hyperbolic.
Complicated but Fascinating Tale
There is much more to this convoluted caper, including intriguing biographical information about all the parties involved. Michael Heyward's The Ern Malley Affair sheds light on the entire caper.
The following is a list of titles contained in the Ern Malley poems, composed by McAuley and Stewart and sent to Angry Penguins:
- Dürer: Innsbruck, 1495
- Sonnets for the Novachord
- Sweet William
- Boult to Marina
- Night Piece
- Documentary Film
- Night-piece (Alternate Version)
- Baroque Exterior
- Perspective Lovesong
- Culture as Exhibit
- Egyptian Register
- Young Prince of Tyre
- Colloquy with John Keats (and Coda)
- Petit Testament
The Ern Malley complete poems are offered here.
Questions & Answers
© 2019 Linda Sue Grimes