Darius is a former high school literary and feature writer with a Bachelor of Science degree in Information and Communications Technology.
The Dragon and the Seven Moons
According to the ancient people of the Philippines, Bathala—a supreme being or god—created seven moons that illuminated the earth, with one illuminating each of the dark nights of the week. Every evening was ever so bright and so beautiful because of these moons. The moons brought joy and happiness to the people of the earth and mesmerized one particular dragon that wished to have them all.
The Bakunawa, a huge serpent-like dragon that coiled around the earth and ruled the oceans, first fell in love with the heavenly magnificence of the "seven sisters" such that he envied the almighty for his creations. And to the people's dismay, the dragon swallowed the moons one-by-one as he yearned to possess them all. This growing yearning turned into envy into greed, so as the Bakunawa arose again and again from the waters to swallow the moons until the towering dragon that horrifyingly arose from the seas devoured all — but one.
The Bathala became conscious of the sudden disappearances of the moons from the heavens. And the last remaining was sight of a dismay to the people of Earth. They in turn, however, learned to arm themselves to protect it from being swallowed by the dragon. Hence, the dragon not only termed as a "Moon-eater," but as a "Man-eater" as well.
One night, deafening screams, moans, music, and banging of drums coming from the people of Earth awakened the almighty to witness the Bakunawa swallowing the last moon, enveloping the whole world in darkness. The people shouted, "Return our Moon!" among other unpleasant words. The dragon hastily retreated to his caverns in the oceans as the sounds grew louder and louder. And the last moon illuminated the dark skies once more as the dragon hastily returned to the seas to hide in his caves, waiting for another right moment to gobble the last remaining moon.
To prevent this from happening again, Bathala planted bamboos that looked like “stains” on the surface of the moon from afar. The bamboo trees can be seen as dark spots in the face of the moon.
The dragon never gave up, as he would attempt to swallow the last remaining moon in the sky from time-to-time. But the people remain on alert if such an incident is to happen again, ready to create thundering noises for the moon's return, guarding it with their lives. And as long as the bamboo trees are not killed on the moon, the dragon will never succeed in his malicious deed.
The literary origins of this story about a moon-eating dragon are traced back to two prolific Filipino writers: Damania Eugenio and Fr. Fernando Buyser.
The Roots of the Mythology
Fernando Buyser was a Filipino Visayan poet, writer, and priest. He compiled Cebuano traditional oral poetry and old verse forms, which he published in anthologies that were considered seminal in Cebuano literature. He also wrote over 20 books in various genres, was one of the early authors who wrote short stories, and initiated the study of Visayan folklore.
Damiana Eugenio was a Filipina author and professor and was known as the Mother of Philippine Folklore. Her works are considered valuable resources for those studying in the Philippines and its various folklore. Her book Philippine Folk Literature: The Legends serves as a compendium that promotes "national and international access to Filipino folklore," gathers from written sources rather than collected oral variants, and was intended to foster interest in the subject matter.
Most of the literary interpretations of the Bakunawa are traced to Eugenio's book of Philippine folk literature, but this is further documented in Buyser's writings. That is to say, Eugenio's rewriting of the legend was interpreted and is rooted to Buyser's, with the former written in English and the latter written in Visayan/Cebuano.
The myth of the Bakunawa and the Seven Moons can be interpreted as a real-life phenomenon when the moon moves into the Earth's shadow, also known as a lunar eclipse. The dragon is also believed to be the god of the underworld.
Ever since its retelling, people have expanded the story by giving the moons their names associating with Philippine mythical gods, deities, heroes, and heroines. These mythological characters also paved the way for epic conflicts. The myth itself also found its way to the physical and digital world. Various Bakunawa tattoo designs represent love for the eclipse, misfortune, strength, fortitude, and strong will. The dragon itself is also featured in various games, online or offline. The myth itself is also featured in different art forms, such as painting and drawing, as well as names for groups and songs.
The common assumption is that the belief in Bakunawa is an indigenous legend and has been a part of ancient astronomy and rituals in the Philippines since people first arrived in the region.
Though the above folklore is Visayan in nature, there are other variations of it in different regions of the Philippines, usually depicted and written by Philippine ethnic and indigenous tribes/groups. And though they also swallow the moon, most of them are not serpent-like like the Bakunawa. Bakunawa is believed to be originally a compound word meaning "bent snake", from Proto-Western-Malayo-Polynesian ba(ŋ)kuq ("bent," "curved") and sawa ("large snake," "python"). Spelling variants include Vakonawa, Baconaua, or Bakonaua.
Stories of Bakunawa are directly linked to the Hindu demigod Rahu, from India’s Vedic period and was brought to Southeast Asia through trade and the expansion of the Indianized Kingdoms around 200 BCE.
And though these stories can be rewritten in a creative and literary aspect, there is some risk in retelling myths. It's always a must to remember that the original publishing is a representation of the people’s beliefs at the time of documentation.
- Fernando A. Buyser, Mga Sugilanong Karaan (Sugbo, 1913), pp. 13-14.
- Fernando A. Buyser, Mga Sugilanong Pilinhon, Philippine Church Printing (1926)
- Damiana Eugenio, Philippine Folk Literature: The Myths, UP Press (2001)
This content is accurate and true to the best of the author’s knowledge and is not meant to substitute for formal and individualized advice from a qualified professional.
© 2020 Darius Razzle Paciente